So the Messiah in Star Wars is supposed “to bring balance to The Force,” but I never understood what it meant.
Star Wars is extremely dualistic–there is a good side and an evil side, a light side and a dark side, the Jedi and the Sith. Every plotline is based around a manichean struggle where only one side can win by annihilating the other.
The “good side”, the Jedi, are explicitly looking a savior to provide “balance” while at the same time imposing all sorts of restrictions on which force powers are allowed and which aren’t. For an order whose messiah is based on Taoist equilibrium, they are positively Christian in their obsession with purity.
I think there is an implicit subtextual critique of the Jedi Order in the prequels that they incompetent, as you might expect from the leaders of a theocracy, but that’s about as far as it goes.
I think the closest we get to ANY real discussion of balance is Luke’s vision on Degobah, where he must see himself as potentially Darth Vader, which can be interpreted as an attempt towards wholeness OR as a warning to not stray into evil.
Can anyone square this circle?
Edit: It’s funny to me that there are more comments than upvotes. People want to share. I love it.
He was trying to make a Kurosawa-esque, classical hero story set in space. He definitely had more than a vague idea but the Jedi magic stuff really seems like a kind of hand waving magic MacGuffin.
Hidden Fortress
@LordMayor @Vedlt I amused my sweetheart the other night by explaining the Lucas/Kurasawa influence, and pointing out that a katana is not a broadsword but is instead a type of saber, not heavy.
And the only reason those Samurais movies were made was because Japan had prohibitions on showing guns in movies since, well, you know, they were probably a little bit embarassed by how nuts they’d gone in dubyadubyatwo. Most of Kurosawa movies are really inspired by Westerns more than anything else.
I love the circular nature of culture.